Game Is Mother 4 an official Mother game? Mother 4 is an UNOFFICIAL, fan-made addition to the cult-classic series Mother. We are NOT affiliated, associated, authorized, endorsed by, or in any way officially connected with Nintendo of America Inc., Shigesato Itoi, HAL Laboratory, Inc., or any of its subsidiaries or its affiliates. How much does Mother 4 cost? Mother 4 is completely free. There is no cost, donation, payment or any other form of financial transaction necessary. When is Mother 4 going to be released? We're not saying exactly (yet). We'll email everyone who signed up to be notified (update:, we can't accept any more sign ups!) and they'll have the first chance to download. A public download page will quietly go live some time afterward. This was done to say thanks to the very special fans who make up the Mother community. Without their support, this game could not have happened. Because we're giving the game away for free, giving supporters “early access” to the game seems like a proper way to say thanks. What systems will Mother 4 be available on? Is the game a ROM? Mother 4 is a standalone game available for Windows, Mac and Linux. You do not need an emulator to play Mother 4. What languages are available for Mother 4? At release Mother 4 will only available in English. However, we plan on providing tools so that anyone can translate the game. Can you port Mother 4 to iOS/Android/Wii/DS/etc? Mother 4 is only available for Windows, Mac and Linux. Will there be a demo or beta? There is no public demo or beta for Mother 4. Does Mother 4 support a gamepad or controller? You can use any normal gamepad or controller to play Mother 4. What are the minimum requirements to play Mother 4? Its likely you can play this game with a potato. What did you use to make Mother 4? We built a custom engine for Mother 4 in C#. The music is mostly created using. All the artwork is custom made in different versions of Microsoft Paint (seriously). For communication, we use (and love). Story Can you name your party in Mother 4? It wouldn't be much of a Mother game otherwise. Is the rhythm combo system returning in Mother 4? Like Mother 3, you do not need to use it to complete the game. Will Porky or Giygas or the preet poot guy be in this game? The only directly returning characters are Mr. Saturn and a handful of enemies. You've been really tight lipped about the whole project. What's the game really about? We don't want to ruin anything. The game is about exactly what it says on the site - a journey with friends to save the world. When does this game take place in the Mother timeline? You'll learn that as soon as the game begins, but the title might have a bit to do with it. Who's the kid in the trailer next to that spiky thing? Is that the villain? That's Zack, Travis' brother. Team What is your video policy? Can I use Mother 4 gameplay footage on YouTube? You have our permission to create videos of let's plays, reviews, tutorials, speed runs, etc. Do anything you want with it. Will the Mother 4 team create games after Mother 4? Some of us may go on to create more games, but the current team exists solely to produce Mother 4. Official website of The MOTHER 3 Fan Translation project. Download the Mother 3 (USA) ROM for Gameboy Advance/GBA. Filename: Mother 3 (Eng. Translation 1.1).zip. Works with Android, PC/Windows, and Mac OS X devices. Mother free download - Mother, Mother, The Mother, and many more programs.
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It's very rare that a sequel to a film is made almost a decade and a half later, stapling itself as a worthy successor, bringing back everything you loved about the original movie. Yes, it's been done many times before, but it's always a risk. That being said, I had no worries about Danny Boyle bringing back Trainspotting for a sequel, because the original was a film that benefitted from the time period it was in, so I was very much looking forward to the evolution of these characters in today's day and age. Although I don't think this film quite matches what made the first one special, I think it comes very close in making itself relevant. Sadly, not too many people gave their money to the domestic box office, so I'm here to say that it's definitely worth your time if you're a fan of the first film and have been hesitating. As mentioned above, I have to admit that the fans of the original should definitely look forward to viewing this sequel, but it's really only for those people. I personally think we're past the time of too many viewers discovering the original movie, unless they are die hard movie fans. That being said, let's dive into this wonderful sequel. Picking up 20 years after the events of the original, we see where each of these men ended up and (without spoiling anything) who still holds a grudge. Once again, this film explores the depths of friendship and life itself. Society has changed since the first film and this movie isn't afraid to showcase the good and the bad. For these reasons, it was definitely worth bringing back to the screen. First there was an opportunity.then there was a betrayal. Twenty years have gone. Much has changed but just as much remains the same. Mark Renton returns to. T2 Trainspotting is a 2017 British crime comedy drama film, set in and around Edinburgh, Scotland. The film is directed by Danny Boyle and written by John Hodge. 3 Great Reasons To Watch T2 Trainspotting “T2 Trainspotting”, Few images generated in the context of modern cinema are as iconic as Ewan McGregor's feet hitting the pavement at the frenetic pace of Iggy Pop's 'Lust for Life.' It is, in effect, the first Trainspotting scene ( 1996), one of the defining films of the 1990s. Trainspotting 2: Follows the characters of Trainspotting ten years after the events of the earlier movie, as their paths cross again, this time. T2 Trainspotting: Movie Clip - Addicted to Running SXSW 2017: Ewan McGregor and Danny Boyle Talk 'T2 Trainspotting' Fandango Correspondent Alicia Malone interviews Ewan McGregor and Danny Boyle about the second chapter in the 'Trainspotting' characters' lives. Whether or not you wish to see more of certain characters, Ewan McGregor's portrayal of Renton/Mark and Jonny Lee Miller's portrayal of Simon. These two are reunited and become the central focus of the film, allowing other plot details to blossoms throughout. T2 Trainspotting is a far superior film in terms of displaying what the world is like and how technology is consuming us on a daily basis, which is not something that the first film could benefit from, so that was an improvement in my opinion. Where the film didn't quite live up to its predecessor, was in the simplistic story area. The original was all about drug use and the falling out of friendships by the end of the film. This film tries to wrap up too many loose ends, ultimately becoming slightly convoluted, albeit very effective at the same time. While the first film was incredible in terms of cinematography and visual storytelling, T2 Trainspotting improves tenfold in that department. From visually showing what a character is doing in a different light, to displaying the division of a friendship in a damn bathroom stall, to the fantastic camera movements getting you inside the minds of these characters, I found myself profoundly entranced by this movie. Although I enjoyed the premise of the first one more than this instalment, I found this sequel to be an improvement in almost every other way. I didn't expect to say this about such an offbeat movie like a sequel to Trainspotting, but this is a beautiful movie to look. In the end, director Danny Boyle has crafted yet another very well-made film. It may not reach the heights of its predecessor in terms of storytelling, but it's visually stunning in every conceivable way. T2 Trainspotting is a sequel nobody really needed, but we should be lucky to have gotten. I can definitely recommend this movie to fans of the first film, but it's not accessible to newcomers. There are themes that newcomers can relate to, but the film as a whole just won't attract those who haven't seen the first portion of the story from 13 years ago. With a great soundtrack, fantastic direction, a very devoted cast, and a satisfying conclusion, this is a film that was well worth making. It's a little slow at times and I didn't always find myself invested in everyone's motivations, but it's still a great movie nonetheless. ½ T2 is an enjoyable production but principally aimed at idolizing the original for fans. The soundtrack includes remixed pieces of Underworld's 'Born Slippy (Nuxx)' and Iggy Pop's 'Lust for Life' as callbacks to the first feature. A few well-placed vignettes of old footage are strategically woven into the narrative. Additionally, much of the dialogue recalls the former film. Renton has a conversation with Veronika that references the famous 'Choose Life' speech: 'Choose Facebook, Twitter, Instagram and hope that someone, somewhere cares.' The pacing is equally brisk and there are plenty of random vignettes that will make you laugh. One entertaining bit has Renton and Simon distracting the clientele of a Protestant pub with an anti-Catholic chant after robbing them blind. In another scene, Renton and Begbie discover the presence of the other in a most amusing way. The scene is perfectly shot. The irreverent humor is still is there, although it's neither revolutionary nor necessary. T2 works but it needs the other to exist. It has been fashioned as an exceptionally well-made companion piece. - My Review of T2 TRAINSPOTTING (4 Stars) I saw TRAINSPOTTING in London when it opened in 1996, and was so energized by this hyper-swift, visually stunning masterwork by director Danny Boyle and writer John Hodges, based on the novel by Irvine Welsh, that I immediately turned around and bought another ticket to watch it again right away. I'd only done that once before with ALIENS, which I saw in Toronto. What is it about being out of town when I watch seminal films? Am I overly romanticizing them or can we just chalk it up to coincidence? Seeing how both films have aged so well, I'm going with the latter. At this point in time, Boyle had some success with his debut, SHALLOW GRAVE, which showed promise, but nothing prepared me for TRAINSPOTTING. From its now iconic use of Iggy Pop's LUST FOR LIFE in the opening sequence, which deftly introduces its main characters in a series of well-observed freeze frames intercut with them racing HARD DAY'S NIGHT-style down an Edinburgh street. That these hooligans were intensely verbal heroin addicts, depicted as simultaneously vile and wondrous, gave this film an edge, along with pathos and a vivid sense of mortality. If you haven't seen it, stop reading and just go! Danny Boyle, for the most part, loves his films lean and mean, and chock full of wonderful edits and tonal shifts. In TRAINSPOTTING, I loved the juxtaposition of Renton (Ewan McGregor) looking over the filthiest toilet in Scotland, yet when he dove into it, he swam through a glorious, peaceful underwater world. I loved how he sank into the floor as if a casket was being lowered as Lou Reed's 'Perfect Day' played on what I think is one of the best pop soundtracks of all time. Renton's propulsive 'Choose Life' monologue at the end played to Underworld's 'Born Slippy', a perfect marriage of sound and image. TRAINSPOTTING, more than its dark subject matter and gross-out set pieces, made me fall in love with the 'move' in movies. Now, more than 20 years later, comes its sequel, catching us up with its now middle-aged quartet. Along with Renton, we reconnect with the eloquent yet still addicted Sick Boy ((Jonny Lee Miller), the lost yet sympathetic soul, Spud (Ewen Bremner), and the scary sociopath, Begbie (Robert Carlyle). When last seen, Renton ran off with all of the money they made from a drug deal. Returning to his old stomping grounds, Renton conspires with the friends he screwed over, Sick Boy and Spud, to make even more money in a shady deal involving the building of a spa/brothel to impress Sick Boy's Bulgarian girlfriend Veronica (a fantastic, direct, assured performance Anjela Nedyalkova). Sure they're mad at Renton, but in a film about aging, forgiveness comes quickly.unless you're Begbie, of course. He's the psychopathic wrench in this plan who will stop at nothing to bash Renton's head in, most likely by using his own head. This story may not sound like much, but the beauty is in the telling. Just like its predecessor, this film thrives on kinetic energy and stunning visuals, courtesy of cinematographer and frequent Boyle collaborator Anthony Dod Mantle, who did not shoot the original but honors its endlessly inventive style. My jaw dropped pretty early in the film when Renton first encounters Spud, who has been reduced to suicidal despair. Editor Jon Harris intercuts images of Spud falling back in his chair and over the side of a building wth Renton sliding under him as he falls to the floor to give us a profoundly beautiful moment of a man at the end of his rope being saved by a dear old friend. Boyle teases us with snippets of songs from the original, but also supplies new tracks which perfectly fit into the universe of this story and a lovely reimagining of 'Perfect Day'. Yes, Boyle may overdo it a bit on the nostalgia by way of many flashbacks to the original. The characters, however, spend a great deal of time looking back, as one does when the end of your life is closer to you than your beginning, so for me, it's perfectly justified. I had a major issue with one plot point where I felt the police would have been all over Begbie's family after he escapes from prison, but it's a minor complaint in a film with such great energy, passion and style. In this mad jumble, Boyle produces one memorable sequence after another. There's a great father-son burglary, a surprisingly hilarious evening of karaoke/thievery, and showdowns by a pool table and in a parking lot which reach Peckinpah levels of violence. He uses subtitles when the brogue gets too thick and gives Veronika some of the best lines in her native tongue. Boyle puts the camera on top of trams as they rush through downtown and then pulls away on the final wonder of a last shot as if we were looking through the caboose of an increasingly hurtling train. That last moment very wisely repurposes the rush of a heroin hit with the bliss of a hard-hitting drum beat, and with that comes a commentary on the way one experiences joy at different points in their lives. All of the actors slip back into their roles with great ease and all have succeeded in deepening them. Carlyle finds the desperation to be wanted underneath all that anger and resentment. Bremner surprises us with a soulfulness underneath his simpleton exterior. Miller, still handsome as ever, finds the sorrow in a man who can no longer coast on his looks. Kelly MacDonald makes a welcome return as Diane, a mere schoolgirl in the original and now a bonafide grownup who plays a much different role in Renton's life. Yes, T2 feels like 'one for the fans'. You will be totally lost without having seen the original, but what a rich pair of films they make! Whereas one brilliantly navigated the rush of youth, the new one explores the memory of it, and dares to ask of its characters, what's next? For men who one wouldn't expect to have been around 20 years later, that's something of a revolution. Same goes for Boyle's film, which sticks it to the endless CGI blockbuster nonsense that has eaten the film industry by showing us once again the power of film and how great filmmaking can seep into your brain and excite you. Welcome back Danny Boyle! We needed you! When Hollywood decide on doing sequels they tend to green-light them as soon as they see the box office receipts. The majority of the time it's a financial decision and they don't want to miss out on turning another coin. The same can't be said for Danny Boyle. He's waited 20 years to put this sequel together. The time had to be right, the actors had to naturally age and the script had to have substance. This wasn't just about cashing in. This was about doing justice to its predecessor. Many had reservations on this sequel even happening at all, such is the love for the first one, but T2 is still a meaningful journey and takes the lives of it's characters in a satisfying direction. Plot: Twenty years have passed since Mark Renton stole £16,000 from his friends and disappeared to live in Amsterdam. After a health scare, though, he returns home to Edinburgh where he has to face up to his old pals and, somehow, come to terms with his choices in life. Getting around Sickboy (Jonny Lee Miller) and Spud (Ewen Bremner) is one thing but Begbie (Robert Carlyle) is less forgiving and still has murderous intent. I'm a recent interview, Danny Boyle related a story about his time making T2 whereby an Edinburgh local (who witnessed and realised what they were filming) bluntly called out to the director: 'This better no be shite, Danny!' I think it's fair to say that this person managed to convey the sentiments of everyone in a simple (but necessary) comment. This was always the worry when it was announced that Trainspotting 2 was going ahead. That said, the wait is over and Danny Boyle has now delivered his vision on the middle-aged lives of these much loved characters. This man's comment can now be answered and, thankfully, T2 is not shite. In fact, it's rather good. Back in 1996, Trainspotting spoke to a generation. A generation that suffered at the hands of a Thatcherite government that turned its back on the working classes who, steeped in poverty and desperation, succumbed to a drug epidemic that permeated their neighbourhoods. It had such a vibrant and passionate approach that it resonated deeply with audiences. It was hailed as a modern masterpiece of British cinema and, to this day, still remains one of my all time favourite films. Attempting to recreate that magic was always going to be an extremely difficult task. In fact, it's an impossible task. The original was never going to be surpassed. If you can accept that then you'll be more open to what T2 does deliver. It certainly won't appeal to everyone and those expecting the vibrancy and 'lust for life' attitude of the original will be sorely disappointed. It's a wise move from Boyle, though. He doesn't tread the same ground and pitches the tone with a melancholy sadness. But it feels authentic and John Hodge's script is fitting for the passage of time. The youthful enthusiasm of these characters is now gone and in their place is a more mature and jaded view. Like life itself, it's abundant with reflection. However, despite the protagonists being 20 years older, they're still stuck with the same characteristics; Renton is still morally questionable, Sickboy is still wheeling and dealing, Begbie is still a deranged psychopath and, most tragically of all, Spud still struggles with addiction and recovery. Once again, the performances are excellent. All of the actors step back into their respective roles with absolute ease and the standout's are similar to the previous outing; Ewen Bremner's Spud brings the heart and soul while Robert Carlyle's Begbie brings the dangerous edge and gleefully dark entertainment. If one isn't attempting suicide by putting a plastic bag over his head, the other is popping copious amounts of Viagra and getting a hard-on for violence. Despite it's downbeat tone, though, it still has the ability to provide the laughs and hasn't lost touch with Irvine Welsh's black humour. Added to which, are welcome flashbacks and referential nods to T1 - which include cameos from Kelly Macdonald, Shirley Henderson, James Cosmo and Welsh himself. There are a couple of missed opportunities, though. In Welsh's follow-up novel, Porno, Renton would anonymously send Begbie gay porn magazine's when he was in jail. Naturally, it drove Begbie mad and he was determined to find the culprit. I thought this was one the novels most hilarious narrative strands but it's completely omitted here. The other thing is that John Hodge doesn't touch upon the Scottish Independence referendum of 2014. Considering Renton's rant from the first film about how 'It's shite being Scottish' and 'we're colonised by wankers' it's slightly disappointing that it was ignored. It does, however, do a clever and genuinely hilarious sketch on the ignorance of British Nationalism and the knuckle-dragging Orange order. It's probably the closest the film gets to any form of a political commentary. That said, politics are not the main focus here. It's about life and choices, it's about despondency and facing your demons. It's actually more in tune with Sickboy's world view from the first 'You’ve got it, and then you lose it, and it’s gone forever.” T2 is not concerned with chasing the high's anymore, it's about accepting and living with the low's. It may lack the kinetic energy that made it's predecessor so entertaining but in its place is a maturity and a wisdom that can only come with age. In many respects, it's the ideal sequel. Danny Boyle employs his usual visual flourishes but he's more restrained and that's what the material demands. This is a nostalgic companion piece and there's not much more you can ask for. It doesn't match the first but, at the very least, it compliments it. Running time 96 minutes Country United States Language English Budget $4.8 million Box office $115.3 million Happy Death Day is a 2017 American directed by, written by and starring,, and. The film was produced by through his banner. It follows a college student who is murdered on her birthday and begins; at that point, she sets out to find the killer and stop her death. Originally announced in 2007 under the title Half to Death, the film was released on October 13, 2017,. It has grossed $115 million worldwide on a $4.8 million budget and received generally positive reviews, with critics deeming the film entertaining while acknowledging the familiar premise, and describing it as ' meets '. Contents • • • • • • • • • • • • • • • Plot [ ] Theresa 'Tree' Gelbman wakes up on her birthday on Monday, September 18, 2017 in the dorm room of classmate Carter Davis after a drunken binge the previous evening. Tree goes through the day being self-centered, dismissive, and condescending to her classmates and previous hook-ups, ignoring her father's invite to a restaurant, throwing away a birthday cupcake given to her by her roommate Lori Spengler, and having an affair with Dr. Gregory Butler, her professor. That night, while going to a party, Tree is lured into a tunnel where she is brutally murdered by a hooded figure wearing a mask of the campus mascot. Tree wakes up the next morning back in Carter's bed with the previous day's events repeating. Unnerved, she relives the day and avoids the tunnel, instead heading to a fraternity house for a surprise party. However, while hooking up with her classmate Nick, the masked killer murders him before killing Tree once more. Tree realizes that she is in a and tries to avoid her death by barricading herself in her room. However, she is murdered again when the killer hides in her bathroom. During the next loop, she relays her story to Carter, who suggests that she take advantage of the loop in order to figure out who her killer is. She spends the next loops, trailing several suspected classmates, all of which end in her death as she is stalking the current suspect. In the next loop, after being bludgeoned by a baseball bat from her previous death, Tree passes out shortly after waking up. She awakens in the campus hospital where she learns she has retained damage from her previous murders. Tree escapes the hospital room only to be chased by the killer until she manages to flee in Butler's car. While driving, she is pulled over by a police officer and volunteers to be arrested in order to be spared. While held in the officer's squad car, the killer runs over the officer and blows up the squad car after lighting it on fire, sending her through another loop. Waking up in Carter's bed again, Tree convinces Carter of her predicament by showing that she holds foreknowledge of the day's events. Tree admits to Carter that she does not like who she's become as she is distant from her father ever since her mother passed away three years ago. Tree catches a local news report on John Tombs, a serial killer who is being held in the hospital on her campus. Concluding that Tombs is her killer, Tree rushes to the hospital to warn of his escape. Tombs breaks free and nearly kills Tree, but Carter follows and rescues her. Unfortunately, Tombs snaps Carter's neck before chasing Tree to a nearby bell tower where she manages to subdue him with a crowbar. Realizing that Carter will remain dead if she doesn't restart the loop, Tree hangs herself in the tower. During the next loop, Tree goes around righting the various wrongs she has caused, ending her affair with Dr. Butler, finally meeting with her dad to resolve her inner grief, and resolving to be a kinder person. That night, she prepares to stop Tombs. He manages to get the upper hand on her until Tree utilizes a campus-wide blackout that occurs during her loops to disarm him and shoot him to death. Relieved to finally be free, she celebrates her birthday in Carter's room and eats the cupcake given to her by Lori. However, the next morning Tree wakes up again on her birthday. Confused and distraught over the fact that killing Tombs did not stop the time loops, Tree returns to her room in order to run away, where Lori offers the cupcake again. Tree realizes that she had died in her sleep and also notes that this was the only time she had ever eaten the cupcake. Tree realizes that Lori is the true killer; Lori had poisoned the cupcake, but when Tree didn't eat it, she utilized her job as a nurse in the hospital to frame Tombs for Tree's murder. Lori attacks Tree and confesses that she was angry that Dr. Butler had shown interest in Tree over her before the two fight. Tree manages to stuff the cupcake into Lori's mouth before kicking her out of a window, sending her falling to her death. Tree and Carter muse over the day's events back in the restaurant, and he offers her his room for the night, also commenting her situation is a lot like the film. Tree wakes up the next day believing to be in another loop, but it turns out to be a prank by Carter, and the two share a kiss. • as Theresa 'Tree' Gelbman • as Carter Davis • as Lori Spengler • Rachel Matthews as Danielle Bouseman • Charles Aitken as Gregory Butler • Rob Mello as John Tombs • Phi Vu as Ryan Phan • Caleb Spillyards as Tim Bauer • Jason Bayle as David Gelbman • Laura Clifton as Stephanie Butler • Cariella Smith as Becky Shepard • Tran Tran as Emily • Blaine Kern III as Nick Sims • Dane Rhodes as Officer Santora • Tenea Intriago as Student Protestor • Missy Yager as Mrs. Gelbman Production [ ] Pre-production [ ]. 'The movie was in pre-production or soft production at the time, and I came on and I loved the concept of the movie. Title: Happy Death Day (2017) 6.5 /10. Want to share IMDb's. DVD & Blu-ray. Amazon Italy Buy Movies on DVD & Blu-ray. Amazon France Buy Movies on DVD & Blu-ray. After a near-fatal ambush by Voldemort's Death Eaters. Harry Potter films Order of the Phoenix and The Half-Blood. Flaw in the transfer of the film to DVD. Happy Death Day - Tree Gelbman is a blissfully self-centered collegian who wakes up on her birthday in the bed of a student named Carter. As the morning. I loved the idea of a girl, trapped in a time loop who has to solve her own murder.' – Director Christopher B. Landon about the concept of the film. The film was first announced in July 2007, with attached to star. The film was originally titled Half to Death, produced by and, and directed. Was hired to rewrite the script, and while he liked the reworked script the studio decided to not move on with it. The project was only revived years later, as original producer Angela Mancuso had lunch with Landon and remembered about Half to Death. Landon decided to send the script to of, with whom he had worked in the sequels, and he approved it, leading to a. Blumhouse announced the project on October 11, 2016, with Landon directing and cast in the lead role of the film. On November 8, 2016, it was announced that, Charles Aitken and Rachel Matthews had joined the cast, alongside Rothe and. The film got eventually retitled Happy Death Day in June 2017. The mask was constructed by Tony Gardner, the same man who built the infamous ' mask from every film, and its design was personal. Landon explains, 'During preproduction. I was expecting my first son. I don't know if I just had babies on the brain, or if I was subconsciously scared to become a father, but that baby image was floating around in my head. Tony made us a pig mask, too, but when I wore the baby mask in the office, I scared a co-worker, and we thought. Yeah, this is it. This is the one.' Scream itself was listed among the influences Christopher Landon took for the film, along with (1978), and comedies of the 1980s such as and, given he aimed to make a 'fun, silly horror movie' that also passed on a good message to 'this age of social media and all the crappy things that kids do to each other' as like in Groundhog Day, the protagonist becomes a better person while stuck in a time loop. Writing [ ] Writer Scott Lobdell said he wanted to play with the tropes of the slasher genre, as according to him 'every slasher film opens up with the mean girl getting killed and the good girl living till the end. And I thought, 'How can I make the mean girl and the good girl the same person?' ' In the original draft, Lori and Dr. Butler were the killers together. Landon says, 'They were a psycho couple murdering Tree together. That ultimately didn’t work for me. I thought Gregory was a great opportunity to be a suspect. To make him a killer, it didn't help me. That was a change I really wanted to make.' Also, in the original draft there was no birthday, and no romance, which Landon added to humanize Tree. Landon decided to shorten the protagonist's name Teresa into Tree, which also conveyed her character arc as 'trees need to grow and you see this character go from one person to another'. Filming [ ] Filming took place at and around in,, and it lasted 5 weeks. The scenes where Tree awakens in Carter's bed after her death were filmed back to back in a span of two days. The scene after Lori dies was supposed to be at the sorority house, but the filming permit was over before production was able to shoot there, forcing the location to be changed into a Los Angeles diner also featured in another Blumhouse production,. Alternate ending [ ] In the original ending of the film, Tree is taken to the hospital after her encounter with Lori. The doctor instructs her to stay away from pain medication for at least a day due to the extent of her injuries. After he leaves, a nurse comes in and tells Tree she is giving Tree something for the pain and Tree informs the nurse of the doctor's orders. The nurse reveals herself to be Dr. Butler's wife Stephanie, who says it is for her pain and then murders Tree in revenge for the affair between her and Dr. This version was shown in the test screenings for the film, and was received negatively by the audience, forcing the writers to come up with the theatrical ending. Director Christopher Landon also revealed Lori and Dr. Butler were the killers in the rough drafts, which later inspired the idea of the poisoned cupcake. Reception [ ] Box office [ ] Happy Death Day grossed $55.7 million in the United States and Canada, and $59.6 million in other territories, for a worldwide total of $115.3 million, against a production budget of $4.8 million. In the United States and Canada, Happy Death Day was released alongside, and, and was expected to gross $15–20 million from 3,130 theaters in its opening weekend. It made $1 million from Thursday night previews at 2,450 theaters, similar to fellow Blumhouse release ($1.05 million in 2015) and $11.6 million on its first day, increasing weekend projections to $26 million. It went on to debut to $26.5 million, topping the box office, making it the third Blumhouse Productions film of 2017 (after and ) to do so. It fell 64% in its second weekend to $9.4 million, finishing in third behind newcomers and. Critical response [ ] On website, the film has an approval rating of 71% based on 115 reviews, with an average rating of 6/10. The site's critical consensus reads, ' Happy Death Day puts a darkly humorous sci-fi spin on slasher conventions, with added edge courtesy of a starmaking performance from Jessica Rothe.' On, the film has a weighted average score of 57 out of 100, based on 26 critics, indicating 'mixed or average reviews'. Audiences polled by gave the film an average grade of 'B' on an A+ to F scale. Critics noted that although the film makes laudatory attempts at merging genres—including romantic comedy, horror and 'campus satire'—the end results were mixed. Jamie East from likened it to a 'slasher,' while Chris Agar of observed that the 'fun, if silly, blending of genre tropes.ends up being a double-edged sword.' Home media [ ] The film was released on digital HD on January 2, 2018 and was released on DVD and Blu-Ray on January 16, 2018. The home release features the original ending. Possible sequel [ ] Director Christopher B. Landon has talked about the possibility of a sequel, focusing on why Tree went into a time loop. Jessica Rothe stated that while most horror sequels retread the original, Landon's pitch instead 'elevates the movie from being a horror movie into a type of genre film where the sequel joins us right from where we left off, it explains a lot of things in the first one that didn’t get explained, and it elevates everything.' See also [ ] • References [ ]. Retrieved December 9, 2017. • Miska, Brad (April 20, 2017)... Retrieved April 20, 2017. • ^ Giles, Jeff (October 12, 2017)... Retrieved October 13, 2017. • ^ Anthony D'Alessandro... Retrieved October 15, 2017. October 4, 2017. Beyond Hollywood. July 15, 2007. Retrieved September 27, 2017. • McNary, Dave (October 11, 2016)... Retrieved April 20, 2017. • McNary, Dave (November 8, 2016)... Retrieved April 20, 2017. October 12, 2017. Retrieved October 17, 2017. • ^ Fitz-Gerald, Sean. (October 13, 2017), Thrillist • ^. The Hollywood Reporter. October 15, 2017. • ^, Insider • •. • Tom Philip (October 18, 2017)... Retrieved October 19, 2017. Cinema Blend. Retrieved 2018-01-21. October 11, 2017. Retrieved October 11, 2017. October 12, 2017. Retrieved October 13, 2017. • Anthony D'Alessandro... Retrieved October 22, 2017. Retrieved October 13, 2017. Retrieved October 21, 2017. • Robey, Tim (2017-10-19).. The Telegraph.. Retrieved 2017-10-20. Retrieved 2017-10-20. Retrieved 2017-10-20. • • Acuna, Kirsten (October 1, 2017)... Retrieved October 22, 2017. •, Collider External links [ ] • • on. Welcome To Our Channel 'Power Rangers HD' We Share All News Power Rangers Videos So SUBSCRIBE: AND Follow US On: ================== ================== Read more about Power Rangers HERE: and HERE. Power Rangers Full Movie, Power Rangers Full Movie 2017, Power Rangers Full Movie hd, Power Rangers Full Movie free, Power Rangers Full Movie in Hindi, Power. Watch Power Rangers Full Online in HD 1080p on 123Movies For Free. Saban's Power Rangers follows five ordinary teens who must become something extrao. Copyright © NewMovies.to. All Rights Reserved Disclaimer: NEWMOVIES.TO is absolutely legal and contain only links to other sites on the Internet: openload.co, veoh.com, peteava.ro, 2shared.com, 4shared.com, uploaded.net, youku.com, youtube.com and many others ) We do not host or upload any video, films, media files (dvd rip, mp3, mp4, torrent, ipod, psp), NEWMOVIES.TO is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked sites. If you have any legal issues please contact the appropriate media file owners or host sites. 123MOVIES, FMOVIES, WATCH32, PUTLOCKER, HDMOVIE14, HULU MOVIE, DRAMA KOREAN, MEGASHARE9, SOLARMOVIE. More Power Rangers Full HD images. Based on Release Date: DVD Release Date: PG-13| 1 hr 47 min Follow the movie on and Plot Summary Nick Morton is a soldier of fortune who plunders ancient sites for timeless artifacts and sells them to the highest bidder. When Nick and his partner come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London. Cast:,,,,,,, Simon Atherton Director: Genres:,,, Production Co: Conspiracy Factory, Sean Daniel Company, Secret Hideout, Perfect World Pictures, Dark Universe Distributors: Universal Pictures. The Mummy is just all you could think it is. It tries so hard to become what it is today. Unfortunately for us, this is just a slap in our face excuse of a reboot of the Mummy franchise and can often be called a terrible start for the Dark Universe, a newly-made franchise that joins other The Mummy is just all you could think it is. It tries so hard to become what it is today. Unfortunately for us, this is just a slap in our face excuse of a reboot of the Mummy franchise and can often be called a terrible start for the Dark Universe, a newly-made franchise that joins other monster movies released by Universal Studios. Spend your money elsewhere. This is not even worth a penny. Egyptian mummy-princess, evil egyptian god, undead crusader knights, Dr.Jekyll and Mr. Hyde, a secret society, all under London. The expression on Tom Cruise's face all along the movie kind of says: What am I even doing here? Seriously really bad. Not exciting or nostalgic, just So. Egyptian mummy-princess, evil egyptian god, undead crusader knights, Dr.Jekyll and Mr. Hyde, a secret society, all under London. The expression on Tom Cruise's face all along the movie kind of says: What am I even doing here? Seriously really bad. Find great deals on eBay for the mummy dvd and the mummy collector's set dvd. Shop with confidence. Not exciting or nostalgic, just terrible. Honestly, this thing makes the original Mummy movie seem artistic and deep. Torrent Trackers hash d9aaca09b8f338899d9e157b817110 udp://tracker.coppersurfer.tk:6969/announce 925 281 579 163 359 103 udp://tracker.pirateparty.gr:6969/announce 329 89 333 79 326 78 328 77 udp://tracker.zer0day.to:1337/announce 12 7 6 7 13 7 13 6 13 5 6 4 14 4 6 2 0 1. Ler maisValerian e a Cidade dos Mil Planetas Torrent – BluRay 720p/1080p Dublado/Legendado. Trailer de Valerian e a Cidade dos Mil Planetas Torrent. Ler maisValerian e a Cidade dos Mil Planetas Torrent – BluRay 720p/1080p Dublado/Legendado. Trailer de Valerian e a Cidade dos Mil Planetas Torrent. Baixar Filme Valerian e a Cidade dos Mil Planetas (2017) Legendado 5.1 BluRay 720p| 1080p – Torrent Download Comando Filmes e Series HD Torrent dos Filmes. Valerian e a Cidade dos Mil Planetas Legendado + Dublado Torrent Baixar Completo Download Valerian and the City of a Thousand Planets Torrent. Valerian e a Cidade dos Mil Planetas (2017) Torrent Dublado – Download Legendado Assistir Online filme 720p 1080p bluray Baixar via torrent full hd. In the BBC America series Orphan Black, audiences got a little spoiled. Week after week, Tatiana Maslany would play lead character Sarah Manning and an assortment of clones. It was impressive on a technical level, working only because multiple versions of Maslany could be blended together to create the illusion of several people interacting with one other in a single shot. But it was even more impressive as pure performance, with the actor able to create differentiated characters with their own attitudes, mannerisms, facial tics, and body language — a feat that. That’s the level of expectation facing Netflix’s latest movie, What Happened to Monday. A dystopian thriller set in the not-so-distant future, it features Noomi Rapace ( Prometheus, The Girl with the Dragon Tattoo) playing seven identical sisters, each with different personality traits and attributes. It’s a credit to the film that, like Orphan Black before it, the visual effects are so seamless the audience will probably never even notice them. But it requires more than strong performances and great technological trickery to make a balancing act like this work, and while it starts strong, What Happened to Monday eventually falls victim to one of the most common movie foibles of all. The year is 2073, and the world is in crisis. To combat overpopulation, scientists have created genetically-modified crops to provide more food — but that tinkering has, in turn, caused a drastic increase in the number of multiple births. In response, a politician named Nicolette Cayman (Glenn Close) has created the “Child Allocation Act.” It restricts every family to no more than one child, and should any siblings or unwanted pregnancies come along, those children are put into cryo-freeze — a long-term, suspended animation, where they’ll be kept on ice until the world’s problems are sorted out. That’s the environment the seven Settman sisters (Rapace) live in. In order to keep them safe, their grandfather Terrence (Willem Dafoe) named each of them after a day of the week, and forbade them from going outside on anything but their namesake day. Outdoors, they all adopt the shared personality of Karen Settman, a ruse that’s been working despite its obvious limitations. But one day, Monday doesn’t come back home for the nightly family meeting, and soon the sisters realize Cayman and the Child Allocation Bureau are onto them. It’s a long-winded set-up, and thankfully What Happened to Monday manages to get most of the exposition out of the way with an early burst of voice-over. (One could argue that it is still needlessly complex — one crisis, leading to one fix, which leads to another crisis, which is essentially still the original crisis — but the film tucks it all out of the way efficiently enough.) Where the movie starts having fun is when it comes to Rapace’s performances, and early on she does a strong job of creating the different sisters. It’s not an easy task, either. Aside from costume changes and hairstyles, the script from Max Botkin and Kerry Williamson gives Rapace very little to actually work with. One is “the uptight sister”; another “the sexy sister”; yet another, the “angry rebel sister.” They’re so thin, they’re not even archetypes — they’re more like cartoon caricatures, set against a live-action backdrop. But Rapace is able to tease out the differences between them with mannerisms, small looks, and tiny flinches. It’s nothing at the level of Maslany’s work on Orphan Black, but it’s a supreme example of an actor elevating the material she’s been given. The film itself is standard, pseudo-futuristic conspiratorial thriller terrain, and director Tommy Wirkola’s cinematic touchstones are obvious. A cryo-freeze commercial seen early in the film calls to mind the nod-and-wink of Paul Verhoeven social satires like RoboCop, while the persistent chatter of outside advertising inevitably recalls Blade Runner. Thankfully, the filmmaker doesn’t try to reproduce the aesthetic of either film. Instead, he opts for a muted, naturalistic look. It ends up feeling grim not because technology has overrun our basic humanity, but because the crises the world is facing have frozen much of the population in time, without any way to succeed or move forward. Photo: Netflix Even the use of on-screen tech is muted. For a film set more than 50 years in the future, one would expect flying cars, drones, and massive computing enhancements. Instead, there’s little more than the transparent screen concept, apparently required since Minority Report came out, and clunky, metal wristbands that are used to track locations and ensure nobody is violating the Child Allocation Act. It doesn’t quite match the timeline, and one can’t help but wonder if some of the decisions were budget-motivated — but it all ends up selling the concept of a planet stuck in the past. Get What Happened to Monday? Blu-ray Release Date, Trailers, News & Reviews. What Happened to Monday (known as Seven Sisters in Canada, France, Italy and Slovakia) is a 2017 dystopian science fiction thriller film, written by Max Botkin and Kerry Williamson, directed by Tommy Wirkola and starring Noomi Rapace, Glenn Close, and Willem Dafoe. Netflix bought the streaming rights to the film for the United States and other markets. Wirkola stages a few excellent set pieces and Rapace is fantastic, but the general lack of entertainment value has to be considered disappointing given the potential. Aug 18, 2017 In the BBC America series Orphan Black, audiences got a little spoiled. Week after week, Tatiana Maslany would play lead character Sarah Manning and an. If only What Happened to Monday was able to build upon those trappings to tell a story that had some larger thematic resonance or intent. Once the cat-and-mouse between Cayman and the sisters kicks off, the movie quickly devolves into rote action mode. That would be one thing if it were an Atomic Blonde or John Wick; the kind of film that revels in simplistic genre tropes precisely so it can deliver a dose of pure adrenaline. But the closest Wirkola ever gets to that is having a character decide to awkwardly drink from a milk carton in the middle of a pivotal shouting match — just so the audience can see the clash of red on white when the character is shot. What’s missing is a sense of soul and emotional investment. By the time the film winds up, it’s clear the creators are trying to hit upon themes of family and sacrifice — and some flashbacks between Dafoe and younger versions of the Settern sisters do set the stage for that kind of payoff. There’s also tremendous opportunity to explore ideas about identity, agency, and the difficulties of forging one’s own unique path in a world that demands conformity. But the thinly-written adult versions of Monday, Tuesday, and all the rest never offer any opportunity for that. It misses the mark to such a large degree that one final reveal — no doubt intended as the final ah-ha! That would make the whole story come together — landed so poorly I had to rewatch the scene to understand what the filmmakers were actually going for. (A win for Netflix over the traditional theatrical experience, I suppose.) In the end, What Happened to Monday feels like a film created inside out, like someone had the idea of putting seven versions of the same actor in a single scene, and built from there. That’s certainly not to say a great film couldn’t have been made that way. The eccentricity of the creative process knows no bounds, and the most random of inspirations can lead to some of our most treasured works. But a great film requires more than just strong visual effects and a great performance. Or seven of them. Noomi Rapace toplines a sci-fi thriller in seven roles, playing siblings targeted by a government ruthlessly enforcing its one-child policy. Tommy Wirkola, who brought us Nazi zombies and turned Hansel and Gretel into witch hunters, casts his speculative gaze toward near-future dystopia in What Happened to Monday, a thriller that pits a septet of illegal siblings against an authoritarian regime. The intriguingly bonkers premise rests somewhat soundly on matters of climate change, overpopulation and genetic engineering, but its most burning question is “Are seven Noomi Rapaces better than one?” To which the answer is a resounding “Sure, why not?” The movie, which will follow its Locarno premiere with an Aug. 18 launch on Netflix before rolling out theatrically in Europe and Asia, starts off promisingly. But Dead Snow helmer Wirkola, working from a screenplay credited to Max Botkin and Kerry Williamson, soon tosses aside any topical musings — or musings of any kind — in favor of relentless action, brutal violence and iffy melodrama, the final scenes’ intended jolt to the solar plexus barely registering. Rapace plays a superhero team of sorts, without the superpowers — 30-year-old sisters living double lives in an unidentified metropolis of the European Federation. The Child Allocation Bureau, headed by a garden-variety toxic bureaucrat (Glenn Close), enforces the one-child policy by sweeping up siblings wherever it finds them and putting them in the deep freeze of suspended animation, presumably until the planet’s climate, food and population crises have subsided. Then again, “cryosleep” might just be double-speak for euthanasia. The seven sibs, named for the days of the week by the grandfather (Willem Dafoe) who raised them, have survived the clampdown by sharing a public persona. Each woman goes out in the world as Karen Settman on the day of the week that coincides with her name. Back in their sprawling bunker of an apartment, they revert to their real personalities, sharing takeout meals of roasted rat as a break from the usual GMO fare. Though the material defines some of the women more clearly than others, Rapace clearly relishes the chance to dig into multiple roles. Differentiated by hairstyle and attitude, the sisters include martini-sipping platinum blonde Saturday, plain-Jane tech whiz Friday, and rebellious Thursday. Wirkola, DP Jose David Montero and VFX supervisor Bryan Jones combine the performances within the frame in strikingly seamless fashion — not just for Rapace but also for Clara Read, who plays the tween version of the sisters in flashback scenes that show precisely what kind of sacrifices their ruse requires. The strain of maintaining a collective memory — “I thought I told you that,” their genial doorman (Tomiwa Edun) points out to Sunday — and the women’s varied responses to the constricted nature of their communal existence would be rich ground for further exploration. But after Monday doesn’t return home at the end of her appointed day, the story gives way to a chase flick. Out come the knives, saws, steam irons and guns as Rapace, in her various guises, goes mano a mano a mano a mano (etc.) with Bureau henchman Joe (Christian Rubeck) and his SWAT team. As she's shown in a number of performances, beginning with The Girl With the Dragon Tattoo, Rapace brings a feral yet elegant athleticism to action, a quality that Wirkola knows how to showcase as his star races through the city, with its requisite dystopian rain. Less convincing than the running is the Karens’ detective work, and what it uncovers, as they try to sort out the allegiances of a leering colleague (Pal Sverre Hagen) and the man (Marwan Kenzari) who claims to be the secret lover of one of the sisters. By the time a contract surfaces involving Close’s grand manipulator, it’s best to kiss goodbye any hope of narrative coherence. Shot in and around Bucharest, Romania, with effective production design by Joseph Hodges, the film achieves an evocative, if basic, blend of Old World, crumbling and gloomy, and sharp-edged high tech. There are the usual holographic touchscreens, familiar by now from countless sci-fi movies, while digital displays in the palms of citizens’ hands show that the meld between human and machine is underway. An image of fallout from an explosion is haunted by memories of 9/11, and there are troubling glimpses of the dispossessed in the Lower Sector — all of it, finally, passing scenery to the main, pummeling action. As to the unnamed city’s pan-Euro vibe, it’s a good fit for an international cast led by the Swedish-Spanish Rapace. Given her characters’ sequestered upbringing by a man who sounds like Willem Dafoe, it doesn’t quite explain her Scandi-accented English. But that’s the least of the movie’s gaps in logic. Wolverine Wallpapers: X-Men is one of the most successful super hero movie franchise. It is also 15th highest grossing film franchise in Hollywood. Its seventh installment is all set to release on 23rd May, 2014. All the movies starting from X-Men (2000) are based on mutant super hero characters who possess ultra-human powers. One of the most prominent character around whom most of the story revolves is Logan whose mutant title is Wolverine. Logan - The Wolverine. Nel prossimo futuro, un esausto Logan si prende cura di un malato Professor X in un nascondiglio al confine con il Messico. The character of Wolverine is played. Two exclusive movies in the X-Men franchise were made on the character of Wolverine /Logan titled X-Men: Wolverine (2009) and The Wolverine (2013). Wolverine possess mutant powers having animal keen senses, enhanced physical capabilities and a healing power which allows him to recover from any physical wound or injury at a very fast rate. Due to this healing power he ages slowly. This is why he is able to live beyond normal human life span. This is because of healing power he survived the process when alloyadamantium was injected into his skeleton. We bring you some amazing highly rated and high resolution Hugh Jackman’s Wolverine wallpapers gathered from the whole of X-Men series. This amazing collection of high definition will take you back all the way down the memory lane of whole of X-Men movie series. The Wolverine Movie Watch Online HD 720 And 1080P Full HD Blue-ray. Mutants are all gone, except for Logan who is till lurking here and there. Logan knows nothing about his past or present. The only thing he know is survival. His past is haunting him badly, after long time, its time for the Wolverine to know the wolf that’s inside him. Logan, starts remembering his bitter past, yet he is running from it. Logan finds himself struggling to rediscover himself. The Wolverine is indeed one of the best written X-Men movie, with marvelous suspense and drama. Watch The Wolverine Movie Online HD. Death Is An Unrequited Love. Release date: July 26, 2013 Director: James Mangold Box office: 414.8 million USD Budget: 120 million USD (2013) Film series: X-Men. More War For The Planet Of The Apes Online videos. Watch War for the Planet of the Apes (2017) Full Movie Online, After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own. “War for the Planet of the Apes” is the film of Chernin full movie had to do to sign up for a spectacular success was to get humans out of the equation. This is what has brought this whole trilogy to present the rise, birth and now the war of this flourishing civilization of apes and humans fighting desperate, and sometimes dishonorably, for their survival. War for the Planet of the Apes Full Movie Movie Info Release Date: July 14, 2017 Rating: 8.9 “ ” is a fascinating and surprisingly moving epic that is a step above the junk-heavy super-productions that inhabit the United States multiplex. It’s as if director Matt Reeves, scriptwriter Mark Bomback and production actually took care and analyzed what they were doing with their characters. Reeves does not waste time to start the action with an exciting opening battle. We enter this world through the eyes of some terrified intruders. A group of human soldiers walk through the forest in search of Caesar (Andy Serkis). They do not know if he’s still alive, but their leader is determined to exterminate the apes. Caesar and his followers have been operating from a secret hiding place in the forest, a beautiful little Eden hidden behind a huge waterfall. When the soldiers find them, the apes counterattack quickly and effectively and eliminate almost all combatants. Caesar forgives the life of the few survivors to send their leader the message that apes are not wild and just want to live in peace without contact with humans. Of course the message inspires exactly the opposite reaction and the beautiful and distressing and almost silent night incursion that comes soon after leaves the apes with no choice but to leave their homes and go out in search of a safe place. Caesar, however, decides that he must go alone and avenge his community by destroying the Colonel (Woody Harrelson), a demented despot who truly is one of the best villains that have been seen on screen in a long time. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated. Quotes: You got something to say to me?: If I'd known, we could have double dated.: Doesn't shit girl have a curfew week nights?: No, no, in fact I was actually gonna take her to the circus later, but there's no need now. Does he juggle?: Look, I'm having one dinner with the guy cause he did me a favour, okay?: You don't have to explain yourself to me cause you're having dinner with a midget, Mildred.: I'm not explaining myself to you.: You kinda are. Look, I didn't come over here to break your balls. Watch Three Billboards Outside Ebbing, Missouri (2017) Movie Online Free In this darkly comic drama, a mother personally challenges the local authorities. More news for 3 Billboards Outside Ebbing, Missouri Watch. |
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